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Holographic Universe Hologram knowledge1 Hologram knowledge2 Hologram knowledge3 Hologram basic
Hologram Basic
The hologram is based upon Nobel Prize winner Dennis Gabor's
theory concerning interference patterns. Gabor theorized in
1947 that each crest of the wave pattern contains the whole
information of its original source, and that this information
could be stored on film and reproduced. This is why it is
called a hologram.
Holography is the only visual recording and playback process
that can record our three-dimensional world on a two-dimensional
recording medium and playback the original object or scene,
to the unaided eyes, as a three dimensional image. The image
demonstrates complete parallax and depth-of-field. The image
floats in space either behind, in front of, or straddling
the recording medium.
The Holographic Universe
The Universe as a Hologram
In 1982 a remarkable event took place. At the University
of Paris a research team led by physicist Alain Aspect performed
what may turn out to be one of the most important experiments
of the 20th century. You did not hear about it on the evening
news. In fact, unless you are in the habit of reading scientific
journals you probably have never even heard Aspect's name,
though there are some who believe his discovery may change
the face of science.
Aspect and his team discovered that under certain circumstances
subatomic particles such as electrons are able to instantaneously
communicate with each other regardless of the distance separating
them. It doesn't matter whether they are 10 feet or 10 billion
miles apart.
Somehow each particle always seems to know what the other
is doing. The problem with this feat is that it violates Einstein's
long-held tenet that no communication can travel faster than
the speed of light. Since traveling faster than the speed
of light is tantamount to breaking the time barrier, this
daunting prospect has caused some physicists to try to come
up with elaborate ways to explain away Aspect's findings.
But it has inspired others to offer even more radical explanations.
University of London physicist David Bohm, for example,
believes Aspect's findings imply that objective reality does
not exist, that despite its apparent solidity the universe
is at heart a phantasm, a gigantic and splendidly detailed
hologram.
To understand why Bohm makes this startling assertion, one
must first understand a little about holograms. A hologram
is a three- dimensional photograph made with the aid of a
laser.
To make a hologram, the object to be photographed is first
bathed in the light of a laser beam. Then a second laser beam
is bounced off the reflected light of the first and the resulting
interference pattern (the area where the two laser beams commingle)
is captured on film.
When the film is developed, it looks like a meaningless
swirl of light and dark lines. But as soon as the developed
film is illuminated by another laser beam, a three-dimensional
image of the original object appears.
The three-dimensionality of such images is not the only
remarkable characteristic of holograms. If a hologram of a
rose is cut in half and then illuminated by a laser, each
half will still be found to contain the entire image of the
rose.
Indeed, even if the halves are divided again, each snippet
of film will always be found to contain a smaller but intact
version of the original image. Unlike normal photographs,
every part of a hologram contains all the information possessed
by the whole.
The "whole in every part" nature of a hologram provides
us with an entirely new way of understanding organization
and order. For most of its history, Western science has labored
under the bias that the best way to understand a physical
phenomenon, whether a frog or an atom, is to dissect it and
study its respective parts.
A hologram teaches us that some things in the universe may
not lend themselves to this approach. If we try to take apart
something constructed holographically, we will not get the
pieces of which it is made, we will only get smaller wholes.
This insight suggested to Bohm another way of understanding
Aspect's discovery. Bohm believes the reason subatomic particles
are able to remain in contact with one another regardless
of the distance separating them is not because they are sending
some sort of mysterious signal back and forth, but because
their separateness is an illusion. He argues that at some
deeper level of reality such particles are not individual
entities, but are actually extensions of the same fundamental
something.
To enable people to better visualize what he means, Bohm
offers the following illustration.
Imagine an aquarium containing a fish. Imagine also that
you are unable to see the aquarium directly and your knowledge
about it and what it contains comes from two television cameras,
one directed at the aquarium's front and the other directed
at its side.
As you stare at the two television monitors, you might assume
that the fish on each of the screens are separate entities.
After all, because the cameras are set at different angles,
each of the images will be slightly different. But as you
continue to watch the two fish, you will eventually become
aware that there is a certain relationship between them.
When one turns, the other also makes a slightly different
but corresponding turn; when one faces the front, the other
always faces twoard the side. If you remain unaware of the
full scope of the situation, you might even conclude that
the fish must be instantaneously communicating with one another,
but this is clearly not the case.
This, says Bohm, is precisely what is going on between the
subatomic particles in Aspect's experiment.
According to Bohm, the apparent faster-than-light connection
between subatomic particles is really telling us that there
is a deeper level of reality we are not privy to, a more complex
dimension beyond our own that is analogous to the aquarium.
And, he adds, we view objects such as subatomic particles
as separate from one another because we are seeing only a
portion of their reality.
Such particles are not separate "parts", but facets of a
deeper and more underlying unity that is ultimately as holographic
and indivisible as the previously mentioned rose. And since
everything in physical reality is comprised of these "eidolons",
the universe is itself a projection, a hologram.
In addition to its phantomlike nature, such a universe would
possess other rather startling features. If the apparent separateness
of subatomic particles is illusory, it means that at a deeper
level of reality all things in the universe are infinitely
interconnected.
The electrons in a carbon atom in the human brain are connected
to the subatomic particles that comprise every salmon that
swims, every heart that beats, and every star that shimmers
in the sky.
Everything interpenetrates everything, and although human
nature may seek to categorize and pigeonhole and subdivide,
the various phenomena of the universe, all apportionments
are of necessity artificial and all of nature is ultimately
a seamless web.
In a holographic universe, even time and space could no
longer be viewed as fundamentals. Because concepts such as
location break down in a universe in which nothing is truly
separate from anything else, time and three-dimensional space,
like the images of the fish on the TV monitors, would also
have to be viewed as projections of this deeper order.
At its deeper level reality is a sort of superhologram in
which the past, present, and future all exist simultaneously.
This suggests that given the proper tools it might even be
possible to someday reach into the superholographic level
of reality and pluck out scenes from the long-forgotten past.
What else the superhologram contains is an open-ended question.
Allowing, for the sake of argument, that the superhologram
is the matrix that has given birth to everything in our universe,
at the very least it contains every subatomic particle that
has been or will be -- every configuration of matter and energy
that is possible, from snowflakes to quasars, from blu?whales
to gamma rays. It must be seen as a sort of cosmic storehouse
of "All That Is."
Although Bohm concedes that we have no way of knowing what
else might lie hidden in the superhologram, he does venture
to say that we have no reason to assume it does not contain
more. Or as he puts it, perhaps the superholographic level
of reality is a "mere stage" beyond which lies "an infinity
of further development".
Bohm is not the only researcher who has found evidence that
the universe is a hologram. Working independently in the field
of brain research, Standford neurophysiologist Karl Pribram
has also become persuaded of the holographic nature of reality.
Pribram was drawn to the holographic model by the puzzle
of how and where memories are stored in the brain. For decades
numerous studies have shown that rather than being confined
to a specific location, memories are dispersed throughout
the brain.
In a series of landmark experiments in the 1920s, brain
scientist Karl Lashley found that no matter what portion of
a rat's brain he removed he was unable to eradicate its memory
of how to perform complex tasks it had learned prior to surgery.
The only problem was that no one was able to come up with
a mechanism that might explain this curious "whole in every
part" nature of memory storage.
Then in the 1960s Pribram encountered the concept of holography
and realized he had found the explanation brain scientists
had been looking for. Pribram believes memories are encoded
not in neurons, or small groupings of neurons, but in patterns
of nerve impulses that crisscross the entire brain in the
same way that patterns of laser light interference crisscross
the entire area of a piece of film containing a holographic
image. In other words, Pribram believes the brain is itself
a hologram.
Pribram's theory also explains how the human brain can store
so many memories in so little space. It has been estimated
that the human brain has the capacity to memorize something
on the order of 10 billion bits of information during the
average human lifetime (or roughly the same amount of information
contained in five sets of the Encyclopaedia Britannica).
Similarly, it has been discovered that in addition to their
other capabilities, holograms possess an astounding capacity
for information storage--simply by changing the angle at which
the two lasers strike a piece of photographic film, it is
possible to record many different images on the same surface.
It has been demonstrated that one cubic centimeter of film
can hold as many as 10 billion bits of information.
Our uncanny ability to quickly retrieve whatever information
we need from the enormous store of our memories becomes more
understandable if the brain functions according to holographic
principles. If a friend asks you to tell him what comes to
mind when he says the word "zebra", you do not have to clumsily
sort back through ome gigantic and cerebral alphabetic file
to arrive at an answer. Instead, associations like "striped",
"horselike", and "animal native to Africa" all pop into your
head instantly.
Indeed, one of the most amazing things about the human thinking
process is that every piece of information seems instantly
cross- correlated with every other piece of information--another
feature intrinsic to the hologram. Because every portion of
a hologram is infinitely interconnected with ever other portion,
it is perhaps nature's supreme example of a cross-correlated
system.
The storage of memory is not the only neurophysiological
puzzle that becomes more tractable in light of Pribram's holographic
model of the brain. Another is how the brain is able to translate
the avalanche of frequencies it receives via the senses (light
frequencies, sound frequencies, and so on) into the concrete
world of our perceptions. Encoding and decoding frequencies
is precisely what a hologram does best. Just as a hologram
functions as a sort of lens, a translating device able to
convert an apparently meaningless blur of frequencies into
a coherent image, Pribram believes the brain also comprises
a lens and uses holographic principles to mathematically convert
the frequencies it receives through he senses into the inner
world of our perceptions.
An impressive body of evidence suggests that the brain uses
holographic principles to perform its operations. Pribram's
theory, in fact, has gained increasing support among neurophysiologists.
Argentinian-Italian researcher Hugo Zucarelli recently extended
the holographic model into the world of acoustic phenomena.
Puzzled by the fact that humans can locate the source of sounds
without moving their heads, even if they only possess hearing
in one ear, Zucarelli discovered that holographic principles
can explain this ability.
Zucarelli has also developed the technology of holophonic
sound, a recording technique able to reproduce acoustic situations
with an almost uncanny realism.
Pribram's belief that our brains mathematically construct
"hard" reality by relying on input from a frequency domain
has also received a good deal of experimental support.
It has been found that each of our senses is sensitive to
a much broader range of frequencies than was previously suspected.
Researchers have discovered, for instance, that our visual
systems are sensitive to sound frequencies, that our sense
of smell is in part dependent on what are now called "osmic
frequencies", and that even the cells in our bodies are sensitive
to a broad range of frequencies. Such findings suggest that
it is only in the holographic domain of consciousness that
such frequencies are sorted out and divided up into conventional
perceptions.
But the most mind-boggling aspect of Pribram's holographic
model of the brain is what happens when it is put together
with Bohm's theory. For if the concreteness of the world is
but a secondary reality and what is "there" is actually a
holographic blur of frequencies, and if the brain is also
a hologram and only selects some of the frequencies out of
this blur and mathematically transforms them into sensory
perceptions, what becomes of objective reality?
Put quite simply, it ceases to exist. As the religions of
the East have long upheld, the material world is Maya, an
illusion, and although we may think we are physical beings
moving through a physical world, this too is an illusion.
We are really "receivers" floating through a kaleidoscopic
sea of frequency, and what we extract from this sea and transmogrify
into physical reality is but one channel from many extracted
out of the superhologram.
This striking new picture of reality, the synthesis of Bohm
and Pribram's views, has come to be called the holographic
paradigm, and although many scientists have greeted it with
skepticism, it has galvanized others. A small but growing
group of researchers believe it may be the most accurate model
of reality science has arrived at thus far. More than that,
some believe it may solve some mysteries that have never before
been explainable by science and even establish the paranormal
as a part of nature.
Numerous researchers, including Bohm and Pribram, have noted
that many para-psychological phenomena become much more understandable
in terms of the holographic paradigm.
In a universe in which individual brains are actually indivisible
portions of the greater hologram and everything is infinitely
interconnected, telepathy may merely be the accessing of the
holographic level.
It is obviously much easier to understand how information
can travel from the mind of individual 'A' to that of individual
'B' at a far distance point and helps to understand a number
of unsolved puzzles in psychology. In particular, Grof feels
the holographic paradigm offers a model for understanding
many of the baffling phenomena experienced by individuals
during altered states of consciousness.
Creation - Holographic Universe - 2
In the 1950s, while conducting research into the beliefs of
LSD as a psychotherapeutic tool, Grof had one female patient
who suddenly became convinced she had assumed the identity
of a female of a species of prehistoric reptile. During the
course of her hallucination, she not only gave a richly detailed
description of what it felt like to be encapsuled in such
a form, but noted that the portion of the male of the species's
anatomy was a patch of colored scales on the side of its head.
What was startling to Grof was that although the woman had
no prior knowledge about such things, a conversation with
a zoologist later confirmed that in certain species of reptiles
colored areas on the head do indeed play an important role
as triggers of sexual arousal.
The woman's experience was not unique. During the course
of his research, Grof encountered examples of patients regressing
and identifying with virtually every species on the evolutionary
tree (research findings which helped influence the man-into-ape
scene in the movie Altered States). Moreover, he found that
such experiences frequently contained obscure zoological details
which turned out to be accurate.
Regressions into the animal kingdom were not the only puzzling
psychological phenomena Grof encountered. He also had patients
who appeared to tap into some sort of collective or racial
unconscious. Individuals with little or no education suddenly
gave detailed descriptions of Zoroastrian funerary practices
and scenes from Hindu mythology. In other categories of experience,
individuals gave persuasive accounts of out-of-body journeys,
of precognitive glimpses of the future, of regressions into
apparent past-life incarnations.
In later research, Grof found the same range of phenomena
manifested in therapy sessions which did not involve the use
of drugs. Because the common element in such experiences appeared
to be the transcending of an individual's consciousness beyond
the usual boundaries of ego and/or limitations of space and
time, Grof called such manifestations "transpersonal experiences",
and in the late '60s he helped found a branch of psychology
called "transpersonal psychology" devoted entirely to their
study.
Although Grof's newly founded Association of Transpersonal
Psychology garnered a rapidly growing group of like-minded
professionals and has become a respected branch of psychology,
for years neither Grof or any of his colleagues were able
to offer a mechanism for explaining the bizarre psychological
phenomena they were witnessing. But that has changed with
the advent of the holographic paradigm.
As Grof recently noted, if the mind is actually part of
a continuum, a labyrinth that is connected not only to every
other mind that exists or has existed, but to every atom,
organism, and region in the vastness of space and time itself,
the fact that it is able to occasionally make forays into
the labyrinth and have transpersonal experiences no longer
seems so strange.
The holographic prardigm also has implications for so-called
hard sciences like biology. Keith Floyd, a psychologist at
Virginia Intermont College, has pointed out that if the concreteness
of reality is but a holographic illusion, it would no longer
be true to say the brain produces consciousness. Rather, it
is consciousness that creates the appearance of the brain
-- as well as the body and everything else around us we interpret
as physical.
Such a turnabout in the way we view biological structures
has caused researchers to point out that medicine and our
understanding of the healing process could also be transformed
by the holographic paradigm. If the apparent physical structure
of the body is but a holographic projection of consciousness,
it becomes clear that each of us is much more responsible
for our health than current medical wisdom allows. What we
now view as miraculous remissions of disease may actually
be due to changes in consciousness which in turn effect changes
in the hologram of the body.
Similarly, controversial new healing techniques such as
visualization may work so well because in the holographic
domain of thought images are ultimately as real as "reality".
Even visions and experiences involving "non-ordinary" reality
become explainable under the holographic paradigm. In his
book "Gifts of Unknown Things," biologist Lyall Watson discribes
his encounter with an Indonesian shaman woman who, by performing
a ritual dance, was able to make an entire grove of trees
instantly vanish into thin air. Watson relates that as he
and another astonished onlooker continued to watch the woman,
she caused the trees to reappear, then "click" off again and
on again several times in succession.
Although current scientific understanding is incapable of
explaining such events, experiences like this become more
tenable if "hard" reality is only a holographic projection.
Perhaps we agree on what is "there" or "not there" because
what we call consensus reality is formulated and ratified
at the level of the human unconscious at which all minds are
infinitely interconnected.
If this is true, it is the most profound implication of
the holographic paradigm of all, for it means that experiences
such as Watson's are not commonplace only because we have
not programmed our minds with the beliefs that would make
them so. In a holographic universe there are no limits to
the extent to which we can alter the fabric of reality.
What we perceive as reality is only a canvas waiting for
us to draw upon it any picture we want. Anything is possible,
from bending spoons with the power of the mind to the phantasmagoric
events experienced by Castaneda during his encounters with
the Yaqui brujo don Juan, for magic is our birthright, no
more or less miraculous than our ability to compute the reality
we want when we are in our dreams.
Indeed, even our most fundamental notions about reality
become suspect, for in a holographic universe, as Pribram
has pointed out, even random events would have to be seen
as based on holographic principles and therefore determined.
Synchronicities or meaningful coincidences suddenly makes
sense, and everything in reality would have to be seen as
a metaphor, for even the most haphazard events would express
some underlying symmetry.
Whether Bohm and Pribram's holographic paradigm becomes
accepted in science or dies an ignoble death remains to be
seen, but it is safe to say that it has already had an influence
on the thinking of many scientists. And even if it is found
that the holographic model does not provide the best explanation
for the instantaneous communications that seem to be passing
back and forth between subatomic particles, at the very least,
as noted by Basil Hiley, a physicist at Birbeck College in
London, Aspect's findings "indicate that we must be prepared
to consider radically new views of reality".
Creation
By Ellie Crystal
Reality is a projected illusion - or hologram - created
by consciousness thought.
It all begins with a tone and a pulse of light that separates
in 12 pyramds around 1 - forming a matrix or grid of sound,
light and color. This creates a grid which projects the illusions
of realities on difference frequency levels.
The creational hologram is based on mathematics that repeat
in cycles called time. We refer to this as Sacred
Geometry - the blueprint of our hologram.
The hologram is not stationary. It is based on spiraling
light and thought and is forever in flux.
I believe we were created an an experiment in Linear Time
and Emotions - based on electromagnetic polarities that keep
our consciousness within the grids of the illusion. We were
created to experience within what one could perceive of as
an program.
There is a beginning and there will be an abrupt end - the
end we sense as an explosion. Yet it is nothing more than
the close of the holographic program and the lifting of consciousness
from its confines.
Mankind has always pondered the origin of its creation as
that is part of our DNA codings to search and quest for a
way home.
By its very creation - the hologram can be explained by
physics as we come closer to the truth. Reality and the
illusion are all about physics and math.
Many people are of the theory that reality is a hoologram.
I am not alone. Neither are you.
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